Daku Maharaj Movie Review: Nandamuri Balakrishna's latest film is Daku Maharaj. Pragya Jaiswal and Shraddha Srinath are the heroines in this film, and Urvashi Rautela plays another key role. Directed by Bobby, this film is being jointly produced by Naga Vamsi and Trivikram's wife Sai Soujanya under the banner of Sithara Entertainments and Fortune Four Cinemas.
The promotional content of this film coming from Balayya, who is scoring consecutive hits, has also increased interest in the film. In addition, the fans and general audiences are showing interest in watching the film in the backdrop of the elevations made by producer Naga Vamsi Balakrishna saying that this is a step up from his previous hits. Let's see in the review how the film finally reached the audience and how much it impressed the audience.
Daku Maharaj Movie Story:
in Daku Maharaj Movie Story,1996 Krishnamurthy (Sachin Kedkar) runs a residential school in Madanapalle. His granddaughter Vaishnavi (Baby Veda Agarwal) accidentally gets into trouble with the local MLA (Ravi Kishan) and his younger brother Manohar Naidu (Sandeep Raj). Knowing this, a prisoner named Daku Maharaj (Balakrishna) who is going to Tihar Jail from Bhopal Jail escapes. He joins Vaishnavi's house as a driver under the name of Nanaji.
However, Chota Thakur (Rishi), who is following the MLA and growing cocaine, comes down from Himachal Pradesh to destroy Vaishnavi's family. But what happened then? Who is Daku Maharaj? Why does he escape from the police for Vaishnavi and save her so much? How did Sitaram become Daku Maharaj? To know such things, you have to watch the movie on the big screen.
Daku Maharaj Movie Analysis:
This movie is not made with a new story, but it has been set in a way that all the elements that the fans want from Balayya have been properly weighed and brought into the arena. First Off showed Nandamuri Balakrishna's universal form to the fans as well as the audience and led the entire film with a kind of vibe. In fact, we have seen many films with the story of how a good person prepared for a deadly holocaust to confront the bad guys and put an end to those bad guys.
This film also falls into that category, but they tried to bring Nandamuri Balakrishna to the audience by balancing the fights on one side the dances on the other, and above all, the elevations. As Bobby had said in the promotions from the beginning, they made sure not to miss any commercial elements in this film.
They planned the dialogues, fights, and elevations according to Balakrishna's body language and treated the fans to a feast. The entire First Off, starting with Balakrishna's entry as Daku Maharaju, saving the child, and the elevations given about him, unfold in a feast. Even though the interval fight did not arouse much interest, it made the average audience wonder what would happen in the second half.
After the second half begins, it is not as fast as the first half. Also, since the first half gave a full kick, the second half may not seem like much of a kick. However, for the fans, it is also a good meal. In fact, the second half showed how the character of Seetharam was transformed into Dr. Maharaj.
The struggle that went into it was visible to the eyes, but for some reason, after eating the first of the full meals, it may not have given that much of a kick, but Balakrishna tried to please the audience with a fully interesting subject that Nandamuri fans want and almost succeeded. Leaving aside the small logical aspects, the movie was a workout in a range.
Actors Performance:
Nandamuri Balakrishna played the role of Sitaram, who turned into a dacoit Maharaja, in a role with two different sides. Such roles are Balakrishna's favorite. As always, there is no doubt that he acted in a way that impressed the audience in his own style. He also impressed this time with his settled performance. Usually, Balakrishna's films seem loud, but in this film, his settled performance is the main asset of the film. Shraddha Srinath impressed in a role that turned the whole film around. Pragya Jaiswal's role, although small, was impressive.
Urvashi's acting in the role of an SS was limited to glamour. After Animal, Bobby Deol got such a powerful role. He acted as a cruel person in a way that made him feel ashamed. Other actors like Rishi, Ravi Kishan, Sandeep Raj, Chandini Chowdhury, Sachin Khedkar, and Vetivi Ganesh were impressed with the scope of their roles.
Regarding technical aspects, we should first discuss the music and the cinematography. Thaman, who said that a Nandamuri Balakrishna film is definitely a box office hit, created a stir in the same range as the music in the film. If all the songs that have already been released are amazing, they have been made even more amazing on screen.
No matter how much we talk about the cinematography, the cinematographer has provided amazing visuals that no one has given to a Nandamuri Balakrishna film so far. The background score provided by Thaman has elevated the entire film. There is no doubt that the background score provided especially for Nandamuri Balakrishna's introduction scenes gave goosebumps. The dialogues written to suit Nandamuri Balakrishna's image are set. His elevations are well worked out. The length of the film is very useful and the editor should be congratulated for that.
Finally:
Balaiah Mark is a mass masala entertainer.. Guaranteed to be a feast for the fans.